Juliet Bellow

Assistant Professor
Department of Art

• Juliet Bellow’s current research centers on the relationship between art and dance in the nineteenth and twentieth centuries. Her book Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde, forthcoming from Ashgate Press, analyzes set and costume designs by Pablo Picasso, Henri Matisse, Sonia Delaunay and Giorgio de Chirico for Serge Diaghilev’s Ballets Russes troupe. Her scholarship has appeared in art-historical and dance-historical publications, including Art Journal, caa.reviews, Dance Research Journal, and the Cambridge Companion to Ballet. She is currently serving a three-year term as Field Editor for Nineteenth-Century Books and Related Media for caa.reviews.
  
  Dr. Bellow teaches courses on a range of thematic issues and materials relating to European art of the eighteenth, nineteenth, and twentieth centuries, including "Art and Dance, 1860-1960," "Women and the Avant-Garde," "Revolutionary Aesthetics: Art and Politics in Nineteenth-Century France," and "Museums and Society."

• Degrees

  PhD, Art History, University of Pennsylvania
  MA, Art History, University of Pennsylvania
  BA, Art History, Columbia University

• Languages Spoken:

  French
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